Peter
A. van der Helm |
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| About | Teaching | Research | Publications | Presentations |
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Available at Cambridge University Press | |||
| Plato's cave. Visual perception is like a prisoner who, sitting on a bench at the center of a cave, is held captive since birth. The only information he has about what happens behind him is given by flickering shadows on the wall in front of him. Similarly, visual perception only has a two-dimensional retinal projection of a scene to infer a three-dimensional representation of the scene in terms of objects arranged in space. |
| Contents Figures Tables Preface Introduction PART I. TOWARDS A THEORY OF VISUAL FORM Chapter 1. Borders of perception Chapter 2. Attributes of visual form Chapter 3. Process and representation Chapter 4. Models and principles Chapter 5. Assumptions and foundations PART II. APPLICATIONS TO VISUAL FORM Chapter 6. Formal coding model Chapter 7. A perceptual coding manual Chapter 8. Preference effects Chapter 9. Time effects Chapter 10. Hierarchy effects PART III. EXTENSIONS Chapter 11. Perception beyond SIT Chapter 12. SIT beyond perception Overview Conclusion References Author index Subject index |
![]() A Maxwell demon during an attempt to remove the milk from a milk-coffee mixture. On the one hand, this tedious job is similar to that of perception, in that both jobs turn chaos into order. On the other hand, to complete the job, the demon needs a lot of time, whereas perception needs only the blink of an eye. |
| ‘Whether you are familiar with Structural Information Theory or not, you will enjoy this systematic presentation by Emanuel Leeuwenberg, its original proponent, and Peter van der Helm, its main formal developer. Through twelve chapters, including a coding manual, they distill order out of perception and cognition, like the demons invoked in the introduction. SIT provides a powerful language for evaluating how strongly the mind strives for simplicity; the book provides an optimal context for evaluating the strength of SIT.’ | ‘Leeuwenberg and van der Helm have assembled the definitive statement on their influential theory of the coding of visual forms. SIT is the most thorough system available for capturing the essence of a structure’s simplicity, so this volume will be required reading for those interested in this far-reaching and quintessentially Gestalt concept.’ | |
| Walter Gerbino, University of Trieste | James Pomerantz, Rice University |
| Cambridge, UK: Cambridge University Press (2013) | ISBN: 978-1-107-02960-6 |